I was playing a lot of guitar and discovering new things about my playing. “Having nothing to do with the big wide world for several months was really enjoyable the demands ceased or reduced considerably. “Being isolated was good for discipline and good for practice,” he explained. Simon also spoke about how he found the Covid pandemic “hugely beneficial” as a songwriter, and how songs had been coming to him in dreams or during the middle of the night. The first in a series of sketches by Charlie Mackesy inspired by Paul Simon’s Seven Psalms. “We pick up a woman and her child – her son – and part of their story is that they’re refugees, of sorts, from her home town.” ![]() “Two hitchhikers are picked up by two people, who I think of as me and my wife, Edie,” he said. The singer-songwriter explained that the word “refugee” then occurs “purposely” in another song on the album, The Sacred Harp. I was specifically thinking about the southern border of the United States, with how many people are coming from Central and South America. He said it was partly informed by the refugee crisis, citing the song Trail of Volcanoes, which tracks his journey to the UK where he lived for a time in the mid-1960s. ![]() Simon, 81, spoke at length about the album that inspired the images, which received a five-star review in the Observer alongside generally widespread praise. I would just put the album on a continuous loop, make some tea, take the dog out and think about which lines stayed with me. ![]() I didn’t feel in any way pressurised to produce, because there was no diktat or brief. “Paul said: ‘I’d be interested to hear or see how you respond’ rather than ‘This is what I’m looking for’,” he said.
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